The mission of the Scranton Cultural Center is to enrich our community through culturally diverse programming and events while preserving a national historic treasure.
Northeast Pennsylvania's premier hub for performance arts, entertainment , and cultural experiences, set in a unique historic structure.
History of the Scranton Cultural Center
At approximately 180,000 square feet, the building houses 2 theatres, meeting rooms, a grand ballroom as well as numerous other rooms and areas. Over time, the Masonic Fraternity realized the need to utilize the facility in other collaborative ways, and a grass roots effort was launched to form a not-for-profit organization. The Scranton Cultural Center at the Masonic Temple (SCCMT) remains dedicated to the preservation and improvement of the structure, and to provide an ongoing programming resource for the community.
The unique partnership of the communities of Northeastern Pennsylvania and the Masonic Fraternity has proven successful and beneficial to all parties. Today, the SCCMT operates the facility as a regional performance and cultural hub. The Center serves as the residence for national tours of Broadway musicals and concerts, and hosts a variety of many other national and regional artists. It also has kept to its earliest purposes by continuing to serve as the center of Masonic activity in the region.
The Scranton Cultural Center at the Masonic Temple's mission is to rejuvenate a national architectural treasure as a regional center for the arts, education and community activity appealing to all. We are also committed to offering arts integrated experiences to our regional school districts, home school groups and charter schools as well as the community at large.
Over The Years
The Scranton Cultural Center at the Masonic Temple is housed in one of the most glorious pieces of architecture to be found in Scranton, Pennsylvania. Originally built as the Masonic Temple and Scottish Rite Cathedral, the building is significant as an example of the work of Raymond M. Hood (1881-1934), a prominent architect of the 1920's and early 1930's, and as a unique example of Neo-Gothic architecture in Scranton.
Raymond Hood's productive career spanned from 1922, when he and a collaborator won the Chicago Tribune design competition, to his untimely death at 53 in 1934. Hood became a nationally prominent architect trained in the Beaux Arts tradition and proficient with historic styles. During those 12 years, Hood was the principle designer or primary collaborator in a number of high-profile progressive skyscraper designs, mainly in New York City, where he designed the Daily News Building and the McGraw-Hill Building in mid-town Manhattan, and was part of the team that designed Radio City Music Hall. His best known work being Rockefeller Center.
The Masonic Temple and Scottish Rite Cathedral is located at 420 North Washington Avenue in downtown Scranton. The 1930 Temple-cathedral is a highly stylized Neo-Gothic and Romanesque pastiche executed by Hood. The design of the building was to be a monument to Masonry. Masonic lodges in Scranton for years felt the need for a suitable home or temple, and prior to the construction of this building they used an old armory. Bids for construction were taken in January, 1927.
The Masonic Temple and Scottish Rite Cathedral was inaugurated on January 2, 1930 when the first meeting was held in the building. The rectangular plan building is clad in coursed ashlars of Indiana limestone supported by a structural steel framework. At approximately 180,000 square feet, the building houses 2 theatres, meeting rooms, a grand ballroom as well as numerous other rooms and areas.
Over time the Masonic Fraternity realized the need to utilize the facility in more non-traditional ways. A grass roots effort was launched to form a not-for-profit organization dedicated to both preserving the physical structure of the temple and providing an ongoing programming source for the community. This unique partnership of the community as well as the Masonic Fraternity has proven successful and beneficial to all parties.
Today the Scranton Cultural Center at the Masonic Temple operates the facility as a regional performance and cultural hub. The Center serves as the residence for national tours of Broadway musicals and concerts and hosts many of the area’s top regional companies. It also has kept to its earliest purposes by continuing to serve as the center of Masonic activity in the region.
We have proudly hosted performances that range from Frank Sinatra to Rob Zombie. Our stage has been graced by Yul Brenner in The King and I, George Carlin, NSync and Britney Spears, Barry Manilow, Billy Joel, Willie Nelson, Doc Watson and Bela Fleck. And so many other entertainers it would take pages to include.
Today the Center is undergoing a several phased, multi-million dollar restoration. To date work has been done on many areas of the facility. In the mid 1990's new roofs were installed including a complete replacement of the copper roof system and gutters over the south end of the building. Lead paint and asbestos issues were addressed in the late 1990's. Since then all new electric services have been installed, air conditioning was incorporated into the theatre and ballroom. The grand ballroom received major restoration work to the walls and ceilings, the main lobbies were also restored. Larger and ADA compliant restrooms were added to the lower level, along with the completion of the Raymnod Hood Room in 2007. Most recently, the Junior Ballroom space was renovated to accommodate our Summer Camp and children's programs and air conditioning was added to Shopland Hall on the fourth floor.
Future work will include restoration work to the theatre walls and ceiling, new stage lighting and sound reinforcement systems, replacement of the 75 year old stage floor, updated dressing rooms, installation of elevated, portable seating in our 4th floor theatre (Shopland Hall), and air conditioning of our 2nd, 3rd and 4th floor spaces.